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Book Of The Time

It’s not that hard to understand why Khaled Hosseini’s first novel, “The Kite Runner” (2003), became such a huge best seller, based largely on word of mouth and its popularity among book clubs and reading groups. The novel read like a kind of modern-day variation on Conrad’s “Lord Jim,” in which the hero spends his life atoning for an act of cowardice and betrayal committed in his youth. It not only gave readers an intimate look at Afghanistan and the difficulties of life there, but it also showed off its author’s accessible and very old-fashioned storytelling talents: his taste for melodramatic plotlines; sharply drawn, black-and-white characters; and elemental boldfaced emotions.
Whereas “The Kite Runner” focused on fathers and sons, and friendships between men, his latest novel, “A Thousand Splendid Suns,” focuses on mothers and daughters, and friendships between women. Whereas “Kite Runner” got off to a gripping start and stumbled into contrivance and sentimentality in its second half, “Splendid Suns” starts off programmatically and gains speed and emotional power as it slowly unfurls.
Like its predecessor, the new novel features a very villainous villain and an almost saintly best friend who commits an act of enormous self-sacrifice to aid the hero/heroine. Like its predecessor, it attempts to show the fallout that Afghanistan’s violent history has had on a handful of individuals, ending in death at the hands of the Taliban for one character, and the promise of a new life for another. And like its predecessor, it features some embarrassingly hokey scenes that feel as if they were lifted from a B movie, and some genuinely heart-wrenching scenes that help redeem the overall story.
Mr. Hosseini, who was born in Kabul and moved to the United States in 1980, writes in straight-ahead, utilitarian prose and creates characters who have the simplicity and primary-colored emotions of people in a fairy tale or fable. The sympathy he conjures for them stems less from their personalities (the hero of “Kite Runner” was an unlikable coward who failed to come to the aid of his best friend) than from the circumstances in which they find themselves: contending with unhappy families, abusive marriages, oppressive governments and repressive cultural mores.
Like its predecessor, the new novel features a very villainous villain and an almost saintly best friend who commits an act of enormous self-sacrifice to aid the hero/heroine. Like its predecessor, it attempts to show the fallout that Afghanistan’s violent history has had on a handful of individuals, ending in death at the hands of the Taliban for one character, and the promise of a new life for another. And like its predecessor, it features some embarrassingly hokey scenes that feel as if they were lifted from a B movie, and some genuinely heart-wrenching scenes that help redeem the overall story.
Mr. Hosseini, who was born in Kabul and moved to the United States in 1980, writes in straight-ahead, utilitarian prose and creates characters who have the simplicity and primary-colored emotions of people in a fairy tale or fable. The sympathy he conjures for them stems less from their personalities (the hero of “Kite Runner” was an unlikable coward who failed to come to the aid of his best friend) than from the circumstances in which they find themselves: contending with unhappy families, abusive marriages, oppressive governments and repressive cultural mores.
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